by Tiago Azevedo
$33.00
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Ecce Homo is a depiction of the flagellated Christ presented to the masses by Pontius Pilate, whose visage, at the upper left, is a study of... more
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Ecce Homo is a depiction of the flagellated Christ presented to the masses by Pontius Pilate, whose visage, at the upper left, is a study of disdainful indifference. Restrained by ropes, his face bowed in gentle acceptance of his fate. Christ's nude body contorted with a physically impossible but not inelegant torsion is bathed in a golden light.
Consistent with the spiritually instructive goals of ecclesiastical art of the Counter-Reformation, everything in this painting is intended to heighten its emotional charge and to underline especially the contrast between the noble pathos of Christ's suffering and the black background which also informs the compositional structure. There is no illusion of deeply receding space in an atmosphere of dramatic emotionalism and expansive theatricality with a soft, light brushstroke.
The concept of the Christ in Christianity originated from the concept of the messiah in Judaism. Christians believe that Jesus is the messiah foretold...
Tiago Azevedo is a painter and architect who was born in the Azores Islands amongst the mystique of the fog and fantastic landscapes that stimulate creativity and inspiration. Upon his graduation as an architect, he worked in Portugal and Germany, completing important projects including the restoration of the Bayerischer Hof Hotel in Munich. Even though painting has always been his passion and driving force, his understanding of form and proportion led him to follow his true passion for painting and turn it into a career. Since discovering the value of pursuing his dreams, he has participated in numerous exhibitions in cities all over the world and has won the respect of the public, as well as international art critics. Tiago has...
$33.00
Tiago Azevedo
Ecce Homo Presented to the Crowd Painting by Tiago Azevedo Ecce Homo is a depiction of the flagellated Christ presented to the masses by Pontius Pilate, whose visage, at the upper left, is a study of disdainful indifference. Restrained by ropes, his face bowed in gentle acceptance of his fate. Christ's nude body contorted with a physically impossible but not inelegant torsion is bathed in a golden light. Consistent with the spiritually instructive goals of ecclesiastical art of the Counter-Reformation, everything in this painting is intended to heighten its emotional charge and to underline especially the contrast between the noble pathos of Christ's suffering and the black background which also informs the compositional structure. There is no illusion of deeply receding space in an atmosphere of dramatic emotionalism and expansive theatricality with a soft, light brushstroke. The concept of the Christ in Christianity originated from the concept of the messiah in Judaism. Christians believe that Jesus is the messiah foretold in the Hebrew Bible and the Christian Old Testament.